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[Calls for Entries] [Events] [New Acquisitions] [iotaWeekly]
"Lumia: Thomas Wilfred and the Story of Light Art" - Now available from The iotaCenter's Store and for viewing in The iotaCenter's Research and Study CenterCategories:
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George Stadnik's THREE TIMES THREE: DIGITAL LUMIA 2006-2008 - Now available for viewing in The iotaCenter's Research and Study CenterCategories:
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Mad-Actions and The iotaCenter present "PUNTO Y RAYA 2009" -Categories:
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The William Moritz Lectures at WRO Art Center - Now available for viewing in The iotaCenter's Research and Study CenterCategories:
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Punto y Raya Festival US Tour on DVD - Now available for viewing in The iotaCenter's Research and Study CenterCategories:
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Left Alone With Night - Now available for viewing in The iotaCenter's Research and Study Center
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Made without the use of a camera, LEFT ALONE WITH NIGHT by Erik Deutschman reveals three dynamic, organically animated nocturnal dimensions through color, sound and mood. "An awesome display of motion and music." --L.A. Reader "A vibrant torrent." --Kenneth Turan, Los Angeles Times AUDIENCE CHOICE AWARD - Onion City Film Festival '94, Chicago DVD: 8min, 16mm, color, 1994 |
Derek haugen
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11.07.2008 |
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MAD-Actions and the iotaCenter present the West Coast tour of PUNTO Y RAYA 0.4. The festival "explores the ultimate synthesis of the form·movement duality in different spheres of human endeavor" and "uses abstraction's prime matter to reveal the limitations and achievements of our representation systems." The US festival tour begins on November 13 in Seattle, WA with stops in: Eugene, OR San Jose, CA San Francisco, CA and Los Angeles, CA courtesy of moviment d'alliberament digital and the iotaCenter. The complete festival schedule: iota's full Punto y Raya page |
Derek haugen
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11.04.2008 |
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Stephanie Maxwell in person!! When: Sunday, November 9, 2008, 7:00 pm Place: The Egyptian Theatre, 6712 Hollywood Boulevard, Los Angeles, CA Website: LA Filmforum; Stephanie Maxwell; The Egyptian Theatre Stephanie Maxwell specializes in hand-painted experimental abstract animation. After performing a variety of painting, marking and engraving techniques directly onto 35mm film stock, Maxwell rephotographs each frame of the film using a digital feed camera and digital frame capture, sometimes employing additional manipulations such as bending and twisting the film, layering film frames together, and progressive alterations of the image during the frame by frame rephotography. This screening will feature selections from Maxwell’s work from 1984 through her two newest works from 2008, as well as a twelve-minute short documentary about Maxwell’s filmmaking process, with footage of the artist at work. The aesthetic of Maxwell’s films has changed since she began creating films in the 1980’s, and the transformation of her techniques and style will be apparent by viewing her films chronologically. The themes and imagery in her films vary widely – from that of a biological nature (GA, 1984), to staged, but painterly, graphical works (Somewhere, 1999) to interpretations of the metaphysical – time, reality, existence (Time Streams, 2003 and Runa’s Spell, 2007). Some of the combinations of sound and imagery in Maxwell’s work are haunting and lovely, as in Runa’s Spell where a close-up of what appears to be a colorful microscopic organism is accompanied by the distant sound of a woman lamenting in musical form. In Reflecting Pool (2006), a dark, ominous background is lit up with neon reflections of sand animation combined with images of microscopic organisms in a watery matrix. The music reflects and reacts to the evolving revelations in this three-movement work. “Stephanie Maxwell's work gets me. Her work is fuelled by a breathless, giddy energy and passion that seeps through every whore of a pore. Like a child, she is excited by a seemingly minute discovery — like an anthill, river or a rock. Maxwell's work is an extension of that explorative part of our childhood. She has a tenacious fascination with the natural world; a world that too many of us (myself included) have left behind in favor of simulated realities.” – Chris Robinson, Animation World Magazine Films include: GA (1984, 5 mins, miniDV) Please Don’t Stop (1989, 5 mins, miniDV) Outermost (1998, 5 mins, miniDV) Somewhere (1999, 5 mins, miniDV) Fragments (2000, 7 mins, miniDV) terra incognita (2001, 4 ½ mins, miniDV) passe-partout (2002, 6 mins, miniDV) Time Streams (2003, 5 ½ mins, miniDV) Reflecting Pool (2004, 9 mins, miniDV) Second Sight (2005, 5 ½ mins, miniDV) All That Remains (2006, 6 mins, miniDV) Runa’s Spell (2007, 3 ½ mins, miniDV) Currents (2008, 6 mins, miniDV) End To End (2008, 4 ½ mins, miniDV) The Art Form of Stephanie Maxwell (2007, 12 mins, miniDV) Total Running Time: 89 minutes Stephanie Maxwell is Professor in the School of Film and Animation at the Rochester Institute of Technology in Rochester, New York. Her teaching includes courses in film, video and animation production (including experimental processes), and history of animation. She has curated and presented film programs internationally and taught abroad on several occasions. Ms. Maxwell has been producing her unusual animated works for over 20 years. Numerous exhibitions of her award-winning work include international film, multimedia, and television programs and festivals. Her works are collected by museums and universities as works of art. |
Derek haugen
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10.07.2008 |
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Thursday, October 9, 2008 Goethe-Institut Los Angeles Presents: Style in Motion - DJ Christine Lang w/VJ Safy Sniper Christine Lang, since the 90s, she has been working as independent filmmaker, curator and DJ. Her short films and music videos have been shown at international film festivals. She is currently curating the exhibition 'FEMMES 'R' US - Feminism In Pop, Music, Art, Film Today' in Berlin and is preparing her first feature film. Safy Sniper is one of the pioneers of video scratching with a unique technique and style. He was born in 1960 in Haifa, Israel, and has been working and living in Berlin since 1985. Time: 10:00pm-Midnight Place: The Knitting Factory, 7021 Hollywood Blvd., Los Angeles, CA 90028 Website: Goethe-Institut Los Angeles; The Knitting Factory Friday, October 10, 2008 Opening of Uncensored A program of uncensored Freewaves’ videos Time: 8:00pm-10:00pm Place: World of Wonder, 6650 Hollywood Blvd., Los Angeles, CA 90028 Website: Freewaves; World of Wonder Goethe-Institut Los Angeles Presents: Style in Motion - Music Videos 2002-2008 A screening of artistically exceptional music videos from 2002 – 2008 curated by Christoph Dreher. Time: 8:00pm-10:00pm Place: Musicians Institute-The Green Room, 6752 Hollywood Blvd., Los Angeles, CA 90028 Website: Goethe-Institut Los Angeles; Musicians Institute Goethe-Institut Los Angeles Presents: Style in Motion - Pfadfindereie A Berlin-based design collective exploring various visual styles, they set their individual mark in each project they are involved in. Always creating a more than unique style with their seamless mixture of graphic design, video, typography, print, photography and of course vjing. Time: 10:00pm-Midnight Place: The Knitting Factory, 7021 Hollywood Blvd., Los Angeles, CA 90028 Website: Goethe-Institut Los Angeles; The Knitting Factory Saturday, October 11, 2008 Goethe-Institut Los Angeles Presents: Style in Motion - Panel Discussion Christoph Dreher, Christine Lang, and Safy Sniper will be joined by Alan Calzatti to discuss the effects of music video on international culture. Time: 2:00pm-4:00pm Place: Musicians Institute-The Passage, 6752 Hollywood Blvd., Los Angeles, CA 90028 Website: Goethe-Institut Los Angeles; Musicians Institute |
Derek haugen
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09.09.2008 |
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Everyone is invited to post comments, start discussions, upload videos, or simply tell some stories about Jules, whether you personally knew Jules or not ... it's a day of remembrance to honor a mentor to four generations of students as the Founding Director of Experimental Animation at Cal Arts.
September 6, 2003 is the fifth-year anniversary of Jules' death. In null, on Saturday, September 13, 2008 please tell us a story you have to tell ... and many likely have one! Add to the discussion already started, start a new discussion thread, or post drawings or animations or photos or video tales to share with those who knew him and with those who did not. If you want to be inspired, re-read the AWN tribute edition from 2003. Especially if you didn't have an opportunity to contribute to the AWN publication, contribute to this event. PLEASE ENTER YOUR STORIES ON THE ENGEL APPRECIATION PAGE PAGE RATHER THAN THE EVENT PAGE. If you are not a Facebook member and you don't want to be, please go to the IIACI site and enter stories to be told there in the Guestbook. Once julesengel.com launches in November, those comments on IIACI will be either duplicated or transferred to the dedicated Engel site to serve as a living archive. Hope you'll participate! [A Message From Dr. Janeann Dill] When: September 13, 2008 Where: Facebook Event Page; The Engel Appreciation Page; Institute for Interdiscplinary Arts and Creative Intelligence Guestbook |
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