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Artist's Profile: Larry Cuba William MoritzLarry Cuba works in the tradition known variously as abstract, absolute or concrete animation. His works are characterized by cascading designs, startling shifts of perspective and precise, mathematical structure. Cuba studied at Washington University and at Cal Arts, where he received an MFA. He has won both NEA and AFI Independent Filmmakers grants, and his works have screened in many exhibitions, including Trickfilm/Chicago (1980) and the Best of Hiroshima '85. Cuba was also an artist-in-residence at the Institute for Visual Media of the ZKM in Karlsruhe, Germany. Selected Filmography:
(Distributors: LC, CF) BibliographyIn the AbstractTrial and Error Digital Daddy Media Art in the 60s: The Abstract, The Spiritual and The Psychedelic - Article written for Kinetica™ 4 catalog. Influence and Inspiration: The Great Tradition of Visual Music - Article written for Kinetica™ 2 catalog. Who's Who in Filmmaking: James Whitney - Moritz, William. "Who's Who in Filmmaking: James Whitney." Sightlines, v.19 n.2 (Winter 1985/1986): 25-27. The Absolute Film - Moritz, William. Lecture notes, WRO99, Media Art Biennale. Wrodaw, Poland: 1999. Color Music: Integral Cinema - Moritz, William. "Musique de la Couleur - Cinéma Intégral (Color Music - Integral Cinema)." Poétique de la Couleur. Paris: Musée du Louvre, 1995, 9-13. Restoring the Aesthetics of Early Abstract Films - "Restoring the Aesthetics of Early Abstract Films" A Reader In Animation Studies. Ed. Jayne Pilling. Sydney: John Libbey, 1997, 221-227. First published as Moritz, William. "Restoring the Aesthetics of Early Abstract Films." Swedish Avantgarde Film 1924-1990. New York: Anthology Film Archives, 1991. "Elfriede!" On the Road with Mrs. Oskar Fischinger - Article written by John Canemaker for Funnyworld Magazine, 1978. Concerning the Aesthetic Autonomy of Animation and Why the Short Film is Not Just a Shorter Feature - Moritz, William. "Concerning the Aesthetic Autonomy of Animation, and Why the Short Film is Not Just a Shorter Feature Film." Keynote Address, Filmfest Dresden, 19 April 1995. Artists' Testimonials for Oskar Fischinger - Article written for Kinetica™ 2 catalog. Oskar Fischinger: Artist of the Century - Article written for Kinetica™ 2 catalog. Animation in the Post-Industrial Era - Moritz, William. "Animation in the Post-Industrial Era." The Oxford History of World Cinema. Ed. Geoffrey Nowell-Smith. Oxford, UK: Oxford University Press, 1996, 551-558. Non-Objective Film: The Second Generation - Article written by William Moritz. LinksHomepage |