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Artist's Profile: Walter Ruttmann
A native
of Frankfurt,
Walter Ruttmann
studied painting,
engraving, architecture
and music before devoting
himself to abstract cinema, or
what he called "painting with time."
After his groundbreaking film LIGHT-PLAY
OPUS I (LICHTSPIEL OPUS I) received widespread
acclaim, he went on to produce OPUS II-IV. He provided
special effects and backgrounds on Lotte Reiniger's feature film
THE ADVENTURES OF PRINCE AHMED, but moved away from abstractionism
after that and focused on producing and editing more documentary-
like films.
Selected Filmography
| Year | Title | Distributor |
| 1921 | LIGHT-PLAY OPUS I (LICHTSPIEL OPUS I) |
EmGee, CS |
| 1922 | LIGHT-PLAY OPUS II (LICHSPIEL OPUS II) |
MOMA, CS |
| 1922 | LIGHT-PLAY OPUS III (LICHSPIEL OPUS III) |
MOMA, CS |
| 1925 | LIGHT-PLAY OPUS IV (LICHTSPIEL OPUS IV) - with Lore Leudesdorf |
MOMA, CS |
Bibliography
Absolute Animation Absolut Panushka
Visual Music Absolut Panushka
Young Oskar Absolut Panushka
"Abstract Films of the 1920s." William Moritz. International Experimental Film Congress. Toronto: Art Gallery of Ontario, 1989, 52-57.
"Color Music - Integral Cinema." William Moritz. Poétique de la Couleur. Paris: Musée du Louvre, 1995, 9-13.
"Restoring the Aesthetics of Early Abstract Films" William Moritz. A Reader In Animation Studies. Ed. Jayne Pilling. Sydney: John Libbey, 1997, 221-227.
"Restoring Experimental Films." William Moritz. Exhibition catalog. Anthology Film Archives Film Preservation Honors, 1997.
"Oskar Fischinger: Artist of the Century." William Moritz. Exhibition catalog. KINETICA 2. Los Angeles: The iotaCenter, 2000.
"Norman McLaren and Jules Engel: Post-Modernists." William Moritz. A Reader In Animation Studies. Ed. Jayne Pilling. Sydney: John Libbey, 1997, 104-111.
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