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Artist's Profile: Walter Ruttmann





A native of Frankfurt, Walter Ruttmann studied painting, engraving, architecture and music before devoting himself to abstract cinema, or what he called "painting with time." After his groundbreaking film LIGHT-PLAY OPUS I (LICHTSPIEL OPUS I) received widespread acclaim, he went on to produce OPUS II-IV. He provided special effects and backgrounds on Lotte Reiniger's feature film THE ADVENTURES OF PRINCE AHMED, but moved away from abstractionism after that and focused on producing and editing more documentary- like films.


Selected Filmography
YearTitleDistributor
1921 LIGHT-PLAY OPUS I (LICHTSPIEL OPUS I) EmGee, CS
1922 LIGHT-PLAY OPUS II (LICHSPIEL OPUS II) MOMA, CS
1922 LIGHT-PLAY OPUS III (LICHSPIEL OPUS III) MOMA, CS
1925 LIGHT-PLAY OPUS IV (LICHTSPIEL OPUS IV) - with Lore Leudesdorf MOMA, CS


Bibliography

Absolute Animation Absolut Panushka
Visual Music Absolut Panushka
Young Oskar Absolut Panushka
"Abstract Films of the 1920s." William Moritz. International Experimental Film Congress. Toronto: Art Gallery of Ontario, 1989, 52-57.
"Color Music - Integral Cinema." William Moritz. Poétique de la Couleur. Paris: Musée du Louvre, 1995, 9-13.
"Restoring the Aesthetics of Early Abstract Films" William Moritz. A Reader In Animation Studies. Ed. Jayne Pilling. Sydney: John Libbey, 1997, 221-227.
"Restoring Experimental Films." William Moritz. Exhibition catalog. Anthology Film Archives Film Preservation Honors, 1997.
"Oskar Fischinger: Artist of the Century." William Moritz. Exhibition catalog. KINETICA 2. Los Angeles: The iotaCenter, 2000.
"Norman McLaren and Jules Engel: Post-Modernists." William Moritz. A Reader In Animation Studies. Ed. Jayne Pilling. Sydney: John Libbey, 1997, 104-111.






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